Drumming - Revision history

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Michael: /* Notes */

2020-09-20T15:25:26Z

Notes

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	"Worldwide, it appeared that the most common vehicle for the shaman’s journey was auditory driving in the form of simple, monotonous percussion sound. Although this was usually produced by the drum, in some places other percussion instruments were used, such as click sticks used by most Aboriginal peoples of Australia. In the wet tropics of Southeast Asia, shamans normally used gongs and metal bangles instead of drums."<ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013</ref> Harner provides an extensive list of cultures who use drumming to induce [[Connection]].		"Worldwide, it appeared that the most common vehicle for the shaman’s journey was auditory driving in the form of simple, monotonous percussion sound. Although this was usually produced by the drum, in some places other percussion instruments were used, such as click sticks used by most Aboriginal peoples of Australia. In the wet tropics of Southeast Asia, shamans normally used gongs and metal bangles instead of drums."<ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013</ref> Harner provides an extensive list of cultures who use drumming to induce [[Connection]].

			Researchers are beginning to discover the significance of "rhythm" and how it alters brain function<Ref>Hamilton, Jon. “Scientists Say A Mind-Bending Rhythm In The Brain Can Act Like Ketamine.” NPR.org, 2020. https://www.npr.org/sections/health-shots/2020/09/16/913565163/scientists-discover-way-to-induce-altered-state-of-mind-without-drugs.</ref> in a way that facilitates connection.

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Michael at 14:37, 25 March 2020

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	==Connection ~~Techniques~~==		==List of Connection Practices==

	[[Connection Practice]] > {{#ask:[[Is a::Connection Practice]]}}		[[Connection Practice]] > {{#ask:[[Is a::Connection Practice]]}}

Michael at 14:36, 25 March 2020

2020-03-25T14:36:56Z

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	==Connection Techniques==		==Connection Techniques==

	[[Connection ~~Technique~~]] > {{#ask:[[Is a::Connection ~~Technique~~]]}}		[[Connection Practice]] > {{#ask:[[Is a::Connection Practice]]}}

	==Notes==		==Notes==

Michael at 17:57, 4 March 2020

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	'''Drumming''' is an common~~, ancient and modernshamanic~~ method used to open a [[Connection]] to [[Consciousness]].		'''Drumming''' is a common shamanic method used to open a [[Connection]] to [[Consciousness]]. It is used in many ancient indigenous societies,<ref>Rogers, Spencer L. The Shaman: His Symbols and His Healing Power. Illinois: Charles Thomas Publishers, 1982.</ref> as well as in modern shamanic practice.
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Michael: /* Notes */

2020-03-03T22:56:17Z

Notes

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	==Notes==		==Notes==

			An early study by Neher demonstrated the impact on drumming on brainwave patterns.<ref>Neher, Andrew. “Auditory Driving Observed with Scalp Electrodes in Normal Subjects.” Electroencephalography & Clinical Neurophysiology 13 (1961): 449–51. https://doi.org/10.1016/0013-4694(61)90014-1.</ref>. Neher called the phenomenon Auditory Driving.

			Neher notes that in some ceremonies, drums become louder and the beats accelerated as [[Connection]] ("trance") is achieved.<ref>Neher, Andrew. “A Physiological Explanation of Unusual Behavior in Ceremonies Involving Drums.” Human Biology 34, no. 2 (1962): 151.</ref>

			Neher also points out many indigenous drumming includes polyrhythms, and other forms of stimulation (tactile/kinesthetic) <ref>Neher, Andrew. “A Physiological Explanation of Unusual Behavior in Ceremonies Involving Drums.” Human Biology 34, no. 2 (1962): 151.</ref>

	Harner suggests that a steady rhythm of 205 to 220 BPM is enough to "change consciousness." <ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013.</ref>		Harner suggests that a steady rhythm of 205 to 220 BPM is enough to "change consciousness." <ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013.</ref>

	[https://www.youtube.com/watch?v=DgD1oruX6WE This Youtube video] contains drum beats of the appropriate speed, and without the somnambulistic distractions of flute ~~and other rhythms~~.		: [https://www.youtube.com/watch?v=DgD1oruX6WE This Youtube video] contains drum beats of the appropriate speed, and without the somnambulistic distractions of flute.

Michael at 15:04, 3 March 2020

2020-03-03T15:04:46Z

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	Harner suggests that a steady rhythm of 205 to 220 BPM is enough to "change consciousness." <ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013.</ref>		Harner suggests that a steady rhythm of 205 to 220 BPM is enough to "change consciousness." <ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013.</ref>

	[https://www.youtube.com/watch?v=DgD1oruX6WE ~~this~~ Youtube video] contains drum beats of the appropriate speed		[https://www.youtube.com/watch?v=DgD1oruX6WE This Youtube video] contains drum beats of the appropriate speed, and without the somnambulistic distractions of flute and other rhythms.

Michael: /* Notes */

2020-03-03T14:58:09Z

Notes

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	Harner suggests that a steady rhythm of 205 to 220 BPM is enough to "change consciousness." <ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013.</ref>		Harner suggests that a steady rhythm of 205 to 220 BPM is enough to "change consciousness." <ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013.</ref>

			[https://www.youtube.com/watch?v=DgD1oruX6WE this Youtube video] contains drum beats of the appropriate speed


	"the Turks and the Uigur regarded the drum as a " celestial bridge" (rainbow) over which the shaman made his ascent. This idea forms part of the complex symbolism of the drum and the bridge, each of which represents a different formula for the same ecstatic experience: celestial ascent. It is through the musical magic of the drum that the shaman can reach the highest heaven."<ref>Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy. New York: Penguin Books, 1989. p. 135.</ref>		"the Turks and the Uigur regarded the drum as a " celestial bridge" (rainbow) over which the shaman made his ascent. This idea forms part of the complex symbolism of the drum and the bridge, each of which represents a different formula for the same ecstatic experience: celestial ascent. It is through the musical magic of the drum that the shaman can reach the highest heaven."<ref>Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy. New York: Penguin Books, 1989. p. 135.</ref>

Michael: /* Notes */

2020-03-02T19:38:45Z

Notes

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	Tibetan Pau (Shamans) use drums, bells, and chanting "The pau are wild because they enter trance by simultaneously and loudly playing a small two-sided, hourglass-shaped dharu11 (hand drum) and shang [gshang] (flat bell), one in each hand, sometimes for an hour or longer."<ref>Peters, Larry. Tibetan Shamanism: Ecstasy and Healing. California: North Atlantic Books, 2016.</ref>		Tibetan Pau (Shamans) use drums, bells, and chanting "The pau are wild because they enter trance by simultaneously and loudly playing a small two-sided, hourglass-shaped dharu11 (hand drum) and shang [gshang] (flat bell), one in each hand, sometimes for an hour or longer."<ref>Peters, Larry. Tibetan Shamanism: Ecstasy and Healing. California: North Atlantic Books, 2016.</ref>

			Drumming is called the Shaman's horse.<ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013</ref>

			"Worldwide, it appeared that the most common vehicle for the shaman’s journey was auditory driving in the form of simple, monotonous percussion sound. Although this was usually produced by the drum, in some places other percussion instruments were used, such as click sticks used by most Aboriginal peoples of Australia. In the wet tropics of Southeast Asia, shamans normally used gongs and metal bangles instead of drums."<ref>Harner, Michael. Cave and Cosmos: Shamanic Encounters with Another Reality. Berkeley, California: North Atlantic Books, 2013</ref> Harner provides an extensive list of cultures who use drumming to induce [[Connection]].

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	[[category:terms]][[Is a::Connection Technique\| ]]		[[category:terms]][[Is a::Connection Technique\| ]]